6/3/2023 0 Comments Sf opera ring cycleIn his death scene, Siegfried's last act is to drag himself toward a sword & attempt to grasp it. The audience laughed when they realized that the Rheinmaidens were collecting used plastic water bottles for recycling. Storey gave out a strong off-stage high note just before entering, & he seemed more or less recovered. ![]() Storey had suffered a "vocal indisposition," &, having received attention from a doctor, would continue. Storey rapidly lost his voice at the end of the spear-swearing scene, & when he exited, I figured he was done for the afternoon.īefore Act III, General Director David Gockley announced that Mr. Stemme sounded her normal, healthy self again, & the revenge trio was thrilling. The male chorus made a big, unified sound & communicated strength. Even though the music is full of movement at the end, the principals just stand around, not interacting. The staging of Act II is strangely static. Gordon Hawkins is solid as Alberich, though I wished for him to sound even more menacing. ![]() His hefty, baritonal sound made for an obvious contrast with the previous opera's Siegfried.Īndrea Silvestrelli's voice remained huge & cavernous, even when singing into a pillow as the sleeping Hagen in Act II. There was a smattering of applause after her 1st scene with the Siegfried of Ian Storey. I thought Nina Stemme as Brünnhilde sounded uncharacteristically harsh, but she displayed boundless energy. As before, this final installment of San Francisco Opera's Ring Cycle began with Ronnita Miller, Daveda Karanas & Heidi Melton as the 3 norns, setting a high bar for the rest of the afternoon with their powerful, no holds barred singing.
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